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Wednesday, 20 June 2012

Our 10 Favorite Action Finales: Number 1!

Posted on 12:15 by gllapsi

Let's face it...it's June and were still talking about Marvel's The Avengers. A little over a month since the billionaire blockbuster dropped, we still can't get the film's  Hulk-Smashing climax out of our head 

That got us thinking plenty about some of Hollywood's craziest action finales --- stuff like Transformers 3: Dark of the Moon, Kill Bill vol. 1, and, of course, The Wild Bunch. And that got us thinking about making another top ten list.

Daily, from Monday (June 11, 2012) to Wednesday (June 20, 2012), Action A Go Go brings to you our TOP TEN FAVORITE ACTION FINALES of ALL-TIME! We'll run through several genres, explain why it was selected, (hopefully) provide video of the moment, and crown the queen of all action finales --- someone worthy enough to stand beside Hulk charging through an alien's asshole.

-Derek (@DScarzilla) and Troy (@FTVReadAComic).

NUMBER 1
THE WILD BUNCH


      The Wild Bunch may be one of those westerns that non-western fans toss out for film cred, but can you blame them? It features a crew of self-interested outlaws turning their guns on a town full of heartless smugglers. Ultimately, neither of the combatants are worth rooting for. This leaves the viewer with one nasty lingering conclusion: You have to be merciless if you want to live in the Wild Wild West. To us, that leaves far more of an impact than any ending in which John Wayne rides off into the sunset.



NUMBER 2
THE KILLER

As far as Action Movies go, it’s hard to argue that there are more influential movies out there than John Woo’s THE KILLER. From the complex characterization to the surreal gunplay, action movies don’t come better. Oft criticized for all the wrong reasons, it still stands as an international phenomenon and definitely belongs on a list of top ten action endings.
Two enemies, one an assassin and the other a cop, brought together by circumstance and now bound by honor. They find sanctuary in a church, the assassin’s blind lover stranded with them. Then they are surrounded by car loads of gangsters out to kill. All hell breaks loose and everything that was ever cool about gun fights in cinema shows up. Every shot is a finely crafted masterstroke of filmmaking. The camera moves with grace and precision, the editing is amazing, and you never know what’s coming next. The tagline for the English version was “One Viscous Hitman. One Fierce Cop. 10,000 Bullets.” That’s a low estimate.
 

NUMBER 3
THE MATRIX
          
         Where do we begin with this one? I’ve heard it celebrated as the Star Wars of our generations (Y to X), and it is hard to disagree. Hard hitting action, groundbreaking special effects, incredibly influential (X-men, Swordfish, etc. all took hints from it), and mind bending philosophical ideas (really, this is like an action movie hamlet) all add up to one towering film. Unlike the Star Wars franchise, the last two movies fizzled and failed to solidify a true legacy.
      However, no one can argue that they action films weren’t changed forever when Neo and Trinity walked into that office building. That lobby shoot out is so awesome, so relentlessly explosive and --- dare I say --- beautiful, that it is impossible to look away until Neo stops the bullets with sheer will power.
While not technically an ALL OUT ACTION fest like some of the other movies on this list, it’s one of the best, and most satisfying endings to an action movie ever and belongs on this list. 



NUMBER 4
INDIANA JONES AND THE TEMPLE OF DOOM


Not to discredit Vic Armstrong or the risks he took sand-surfing from the back of a moving vehicle, but Indy 2’s finale takes the cake when compared to the action of Raiders of the Lost Ark.
In this endless domino-effect of violence, Indy saves the girl, frees a slew of slave children, and eliminates a Thugee enemy with the aide of a rock crusher. He then survives a mine car chase, a flood, a collapsing bridge, and narrowly avoids becoming crocodile food. Also, because this movie came out (and contributed to) the PG-13 rating during it’s infancy, one kid sets another kid on fire.
Yes!
 

NUMBER 5
AKIRA


This is one movie we talked about on the MOKA podcast, and definitely belongs here. Akira, without its insane ending, would still be a beautiful and intense anime, up there with the best, but with this ending it has become a cinematic icon.
Part sexual metaphor, part monster movie, part giant philosophical question, this ending takes you places you never thought you could go. What if your own body was unstoppable? What if your power had no limits? What if you had to fight a god? 
      It’s amazing, mind bending, and enlightening. Good stuff. Just watch it. I still don’t know what’s going on, but I can’t look away every damn time. 
 

NUMBER 6
POLICE STORY 3/SUPERCOP



It's unnecessary to mention that Jackie Chan does his own stunts. But there truly is an added suspense in knowing that a real person is risking their neck versus a computer effect. 
Case in point: In Supercop, Chan and Michelle Yeoh fall from roofs, buses, helicopters, and trains to prove how dedicated they are to action. It makes the whole thing far more thrilling than whatever an ILM cartoon can accomplish.




NUMBER 7
RAMBO: FIRST BLOOD PART II

Demolition Man was my first review for this blog and I am glad to bring up STALLONE again here on this list of crazy endings in Action Filmdom. All of the RAMBO films are legendary, but II took action films to truly epic heights.
            In this second installment Rambo is pulled out of jail to perform a special mission for the CIA to find POW’s that are still in Vietnamese (and Soviet) hands. After being double crossed and losing a fleeting love Rambo goes on a epic rampage, blowing people up with a bow and arrow, taking a helicopter and leveling half the country, then taking it to the ground with an M-60 (Pig) that lays waist to anyone in his path. This movie spawned legions of imitators and impersonators but Rambo First Blood Part II
still holds up as one classic heaping bad ass slice of cinematic Americana.
 

NUMBER 8
THE LONG KISS GOODNIGHT

After Cutthroat Island, Renny Harlin needed a hit and some marriage counseling, badly. With Long Kiss Goodnight, the director looked to Shane Black (creator of Lethal Weapon and Last Boy Scout) for a guaranteed hit. Questionably, he recast his Cutthroat Island star and then wife, Geena Davis in the lead.
The film flopped, burying the careers of just about everyone involved. However, Davis, Harlin, and Black (with Sam Jackson, of course) did bring their A game with LKG's ridiculous finale. (The film as a whole is pretty danged entertaining too).



NUMBER 9
COMMANDO

ArnoldSwarzenegger. Island full of enemy soldiers. Machine guns. Quad rocket launcher. Need I say more?
In all seriousness, in the Arnoldcannon, COMMANDO is one of his simplest and most ridiculous movies. John Matrix (Arnold) used to be a cammando. People steal his daughter Jenny Matrix (Alyssa Milano) to try and force him to help South American dictator back into power. He destroys everything and everyone while getting her back. He dead lifts cars, he blows stuff up, and takes down armies of men with whimsical ease.
But that ending is just jaw dropping. Its a big orgy of everything that was great about eighties action movies and, aside from TRUE LIES(1994), it's probably Arnold's most fun film.
The ending is below, but please do yourself a service and watch the whole movie on YouTube, as it is a great ride from start to finish.
 

NUMBER 10
PROJECT A-KO


Before Avengers showed us city-wide, aliens vs. superheroes destruction on film, such feats belonged exclusively to anime. 1986's Project A-Ko beat Marvel's film to the punch twenty-six years earlier by turning all of Tokyo into a schoolyard catfight for academic rivals A-Ko and Biko.
We could also argue that it even slightly one-upped the blockbuster by taking the fight inside the alien spacecraft. We could…but that would sound too much like looking a gift Hulk in the mouth.
 
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Posted in Akira, Commando, Indiana Jones and the Temple of Doom, Police Story 3, Project A-ko, Rambo: First Blood Part II, The Killer, The Matrix, The Wild Bunch, Top Ten Favorite Action Finales | No comments

Saturday, 16 June 2012

PROMETHEUS (2012) Can You Help Me Find My Space Monster? I Seem To Have Misplaced It.

Posted on 11:02 by gllapsi

PROMETHEUS (2012)



Can You Help Me Find My Space Monster? I Seem To Have Misplaced It.

Directed by: Ridley Scott

Written By: Jon Spaihts and Damon Lindeloff

Starring: Noomi Rapace (Elizabeth Shaw), Michael Fassbender (David), Charleze Theron (Merideth Vickers), Idris Elba (Janek), Guy Peirce (Peter Wayland), and Logan  Marshall-Green (Charlie Holloway).


Few movies have had the impact that the original ALIEN had in 1979. The movie drips with style, had a breakthrough female lead, a truly unique (and terrifying) creature, overtly sexual overtones, and it’s all surrounded by the emptiness of space. It set sail to more sequels and tie ins that just about every franchise save Star Wars and Star Trek and represents a dark antithesis to those space opera epics that envision a future or galaxy far far away where different species can coexist and live in harmony. In this future the creatures are out to kill and violate you from the inside out.
            But the one part of the movie that has made movie goers scratch their heads for decades has been this; who the hell was flying the space ship that these things were found on? Lovingly called the “Space Jockey” by the crew, it’s a minor set piece that almost didn’t make it into the film to begin with, but has since been the only clue to where the xenomorphs came from.
            Flash forward 30 years and director Ridley Scott has decided to grace the world with some answers. It’s hard to believe that after 5 sequels (yes, I am including the AVP’s, cinematic excrement that they were) no one thought to dive into that realm of mystery. Why, you might ask? One reason would be that the mystery behind the ALIEN franchise is what makes it so terrifying. It’s a creature from the darkest part of space that violates you in the most horrible ways imaginable.  Adding any rhyme or reason to that, any back story, could basically make it less special, or worse, flat out not satisfy the same audience you are trying to please. Take a look at STAR WARS “prequels” to see how delving into your own cinematic mythos can horribly backfire.
            So, Ridley wants to dip his toes in those ALIEN waters after 30 years. Who do you call for support? Damon Lindeloff of course! Jon Spaihts wrote it too, but he hasn’t been interviewed, so let’s just leave him to the side for now. The superstar writer of LOST did the rounds pretty hard, talking about how he doesn't write stuff that "awnsers" any questions or some such. As a die hard ALIEN fan, that's quit disconcering.
But the movies out now, and it's time to find out where this movie stacks up compared the movies that came before (after?)  and what just might be down the pike.



SOMETHING SPECIAL TO LOOK AT

Oh boy, the special effects. Have you seen special effects? Well, let me tell you, this movie takes Sci Fi special effects to a whole new level of beauty. I’d say not since CLOSE ENCOUNTERS OF THE THIRD KIND (1977) have special effects played such a wondrous role in a sci fi movie. Sure, AVATAR (2010) had such moments as well, but the alien tech in PROMETHEUS is so lustrous, so enchanting that it pretty much steals the show half the time. It doesn’t matter what is being accomplished in the scene, it’s just pretty and you can’t look away.
Never mind the fact that all the “alieny” stuff looks like it’s about to just out of the screen and impale/cut/slash/impregnate you. The creatures are fun, new, and slightly familiar. More on that later.



THOSE PEOPLE WHO GET PAID TO TALK

The cast is full of stunning talent. It’s literally too much to go over here. The standouts? Idris Elba, Charleze Theron, and Roomi Rapace. All so good, and all so believable.
The standout? Michael Fassbender as David, the lovable huggable android tasked with watching over the ship and guiding the mission along. The very beginning of the movie is dominated by him and it is truly fascinating. It’s brings to mind MOON (2009), a movie where Sam Rockwell carries the entire movie playing an Astronaut who meets himself while working on a lunar mining operation. With David, there is the same vibe. This entire film could’ve been about him, an android wandering through space looking for God, and it would have been incredibly interesting. But I digress; David steals the show, and will undoubtedly go down in movie history as another one of Sci Fi’s great android characters.



WHAT THE F&^$ IS GOING HERE?

What about the story? The first half the three fourths of the movie are absolute genius, It sucks you in and does not let go. We find out about the characters, we find out about the planet, and we maybe even learn about the aliens, and the engineers (or the “space jockey”) that created all of this wondrous stuff.
            The last part? It sort of falls apart. Stuff happens. Lot’s of stuff. But are there answers? No. Is the pacing as taught as the original Alien? No. It’s a jumbled mess. Also, plot holes MILES wide start to show through and things start to get confusing. Not in the “wow this is so smart I need to figure this out” way. No, it’s the “what the hell is that bitch thinking?” sort of way. It’s a shame because up until this point, where things start to collapse, it’s a genius film that demands your attention.



            ANYTHING ELSE WRONG?

            The make up could be better? It needs more aliens? Boobies? To be honest, this is an all around good movie that you should see, if you already haven’t. It will make you think and be glad movies like this are still being made. It will not give you answers. As a matter of fact, the best answers I got were through Twitter. THANKS TROY(AND DAMON LINDELOFF HIMSELF)

http://cavalorn.livejournal.com/584135.html

In this live journal blog there is actually more explained than in the actual movie, and it actually makes sense. However, it does make BIG extrapolations that are not explicitly in the movie. And even with this explanation, there are STILL big logic holes. And the ending is still a mess.

So go see it. And enjoy it. It is pretty. But not smart.

PS. Do you want to listen to a spoiler heavy argument about where this stacks up against the other ALIEN movies and Ridley Scotts movies General? Than follow the link and get ready for some expletive soaked fan ranting that will make you laugh, maybe cry, and definitely laugh some more. ACTION!

http://wearemoka.blogspot.com/

pps also read this because this is funny. SO FUNNY. Could not say it better myself.

http://m15m.livejournal.com/23209.html
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Posted in ALIEN, PROMETHEUS, RIDLEY SCOTT | No comments
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