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Showing posts with label Norman reedus. Show all posts
Showing posts with label Norman reedus. Show all posts

Monday, 4 November 2013

THE WALKING DEAD 4x04 "Indifference" Review

Posted on 17:18 by gllapsi


The Walking Dead is a creature of habit. When biding time between significant events, it always sends some of the cast away from home-base (wherever that happens to be at the time) so that they can do some talking and, ostensibly, develop more as characters. These episodes have always been the show's weakest. They tend to drag, and from a character standpoint, they seemingly just tread water most of the time. Contrary to what the writers seemed to thing, lengthy chit chats do not a character make. So when it became apparent that the entirety of Indifference was going to be one such episode, I became rather hesitant about where it was going. However, it would seem that under new leadership, this episode succeeded where similar previous episodes had failed; not only did this episode throw a completely unforeseen curveball in the final act, but our understanding of all of the featured characters, particularly the new ones, was significantly deepened.   

The concept of transformation, more specifically, Carol's transformation is the focus of this week's episode. As the confused and rather creepy Lizzie puts it; "We all change, we don't get to stay the way we started", and although she's referring to physical change, the allusion to Carol's one-eighty from where she started on this show is clear. Transformed from a weak woman consumed by fear, to a stone cold killer who is so far removed from old self she doesn't even think of her past as her own. The death of her daughter, which devastated Carol back in season two, doesn't even provoke the slightest of emotions in her now. Sophia is less than a memory, she's somebody else's memory, and therefor, by Carol's own rhetoric, irrelevant now. There's a lot of ways I could have seen Carol's character going back in the first season, but this is not one of them. The fact that she survived this long and also changed this much is one of the few things The Walking Dead has completely nailed over it's run, and Carol may be the most interesting character on the show (if not one of the most interesting on television).



At this point in the show, I had assumed the only way to get written off is to die, but Indifference deals a huge blow clean out of left field by having Rick quietly banish Carol from the prison. It's the kind of smart decision-making that's uncharacteristic of Rick, and the kind of writing I simply thought to be beyond the staff behind Walking Dead. It's encouraging to see major character eliminations and shifts in dynamics that don't necessitate a graphic demise. It opens up the possibilities for how to handle future story arcs while simultaneously making Rick look more capable. If Rick is going to return to his leadership position, he has to make hard choices, and this episode is fundamental in establishing that Rick is competent and able to be a leader once again.

Elsewhere the search for medical supplies continues, and on the way we get further insight into Bob, Tyreese and Michonne. Bob's alcoholism takes a turn for the potentially lethal when he almost sacrifices himself, and puts the rest of the group at risk, for the sake of a few bottles of whiskey he happened upon while foraging for medicine. Bob apparently suffers from survivor's guilt as the lone remaining member of two different groups he had joined previously (in a manner yet again reminiscent of last season's Clear), not to mention the demise of Zach inadvertently caused by his alcohol addiction. The problem with alcoholics and crippling guilt? They resort to even more alcohol. I have to hand it to the Walking Dead writing staff with this particular character in circumventing bad habits of season's past. Not only are we getting a significant amount of screen time with this newbie, but we're swiftly understanding him as a flawed, dynamic character. In a similar fashion, both Tyreese and Michonne get more exposure in Indifference as well. When death and suffering become a common occurrence in every day life, it's bound to wear down the human mind's ability to think clearly. Both Tyreese and Michonne have been acting impulsively, Tyreese with an apparent death wish and Michonne hunting for The Governor in vain, but neither really knows why they're doing what they do. Emotional strain has dulled their foresight in ways they are simply too weary to try to process anymore. When every day is a life or death struggle, mental well-being takes a backseat to survival, a reality which takes a high psychological toll on the survivors. Though Tyreese and Michonne both experience a turning point away from this particular issue in this episode, it's an interesting (and highly neglected) concept to explore in the zombie-verse, and one I hope we see a return to in the future.    



Thus far, this season of The Walking Dead has managed something that any show that aspires to greatness must nail down; balance and stability. Past seasons of TWD have greatly misused different stories and ideas, never digging deep enough to really hit the meat of a concept, instead just skimming over. The result was stories that simply didn't have enough gas in them to be sustainable, and made the writers grasp at strands for an interesting story to tell. Scott Gimple is pacing himself here, and really giving each character and story their dues, mining deep for ideas to explore. A smarter, more strategic approach for a smarter story. Four episodes in and it's already crystal clear that this new Walking Dead is vaslty improved, and may yet live up to the largely unfulfilled promise of it's pilot episode.

Grade: B+

Other thoughts

Three black people and a white guy go out on a mission and none of the black people die? This is a Walking Dead milestone! Nay, a television milestone. Perhaps even a milestone in film history!

Okay, so Lizzie is crazy. Interesting. Not sure it works but it definitely has potential.

It would seem this entirely season has been tonally and thematically using Clear as a template. A re-pilot of you will. And given how that episode was a perfect example of everything this show needed to be, this is a solid strategy on the part of the writers.


Andrew Allen is a television (and occasionally film) writer for Action A Go Go. He is an aspiring screenwriter and director who is currently studying at the University of Miami. You can check him out on Tumblr @andrewballen and follow him on Twitter @A_B_Allen

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Posted in AMC, Andrew Lincoln, danai Gurira, horror, indifference, Norman reedus, The walking dead, Zombies | No comments

Monday, 28 October 2013

THE WALKING DEAD 4x03 "Isolation" Review

Posted on 17:51 by gllapsi
Things go from bad to worse for the prison crew on The Walking Dead. But while things totally suck for them, the show's renewed quality stays strong, both in the realms of delivering much-needed character development and strong thematic consistency. Out of the three episodes we've seen thus far this season, Isolation is easily the slowest of the three. It's light on zombie-related violence (not a single human character even dies in this episode), but easily makes up for it by proving its competence (at times, even excellence) in the area that has been Walking Dead's weakest for the past two seasons: characters. Although the new group of Woodbury citizens has largely been zombie-fodder, Isolation gives us the time to get to know some of the newbies a little better. Larry Gilliard's Bob Stookey is settling into his role as the competent and well-intentioned non-badass (it's been quite awhile since we last met a person who isn't a stone-cold zombie killing machine), and we're given some time to get to know Tyreese and Sasha a little better too. Up until this point, Tyreese has simply been a sweet, level-headed guy whose primary function on the show was to be "good". Isolation changes our understanding of his character a great deal by cracking open his calm exterior and giving us a frightening look at some seriously deep-seated rage issues he's got lurking inside of him.
Rick is off on his own yet again (it seems his plot lines over the past few seasons have very little to do with human interaction), having now taken on the role of "Detective Rick" in order to solve the murders of Karen and David. The revelation in the episodes final few moments, that Carol is the killer, is a gut punch that makes a frightening amount of sense. Thus far, season four's main running theme has been the exploration of the long-term effects this zombie apocalypse has had on these survivors. And Carol's transformation from timid, abused housewife into a ruthlessly pragmatic survivor is by far the most powerful example of this. In last week's review I stated that the show was no longer about trying to "survive", it's about trying to live. But I think a better description would be that it's about the conflict between those who are trying to survive at all costs and those who are trying live with their humanity intact. Carol has fully embraced the former. She has rejected her sense of compassion in favor of an ends-justify-the-means policy. Keeping the majority of the people breathing is her goal, first and foremost, no matter the toll it takes on her soul. 

On the flip side, we have Hershel, who selflessly exposed himself to the virus for the sake of showing compassion to the sick and dying. The "good deeds get repaid in punishment" motif that has been recurring takes an interesting and powerful turn through Hershel's actions. Unlike Rick, Hershel embraces the punishment his kindness has brought upon him. To Hershel, showing compassion to other people is worth the price he pays for it. And his example is a source of unexpected hope in the overbearing grimness of his circumstance. In a world where the literal personification of death is your enemy, perhaps making one's primary goal the avoidance of death is not the way to really live. Hershel is at peace with himself, not by frantically grasping at life that's on the verge of disappearing at any given moment, but by coming to terms with his reality, and defying it's attempts to take his humanity away from him.
This change in outlook has infused The Walking Dead with the sense of hope I had been waiting for these past two episodes. Perhaps the ultimate salvation for these characters won't come in the form of a cure or a safe haven after all. Perhaps the greatest source of light in this dark and violent world is clinging to one's humanity, as opposed to one's life. What's the point of finding safety and security if you've sacrificed your compassion and kindness in the process? Scott Gimple's apparent fascination with this very conflict is the kind of thematic struggle that this show has needed all along. The Walking Dead has never really been about zombies. It's been about people trying to find peace with themselves in the midst of hell-on-earth. Now, finally, we can see that struggle play itself out loud and clear onscreen. And that's the way it should be.

Grade: A-

Other Thoughts

I'm honestly having a seriously hard time telling whether Lizzie is a sociopath or if the girl playing her is just an awful actress.

Bob's lack of walker-killing proficiency has me questioning his supposed story of surviving by himself prior to getting to the prison. If I had to guess, I'd say The Governor is somehow pulling the strings here.

That being said, I really like Bob. He's kind, and friendly. I like kind and friendly. It's refreshing to see when every other character is either a wreck or is constantly flaunting how much of a badass they are.

Speaking of which, Tyreese goes ham on a group of walkers in this episode. Unfortunately, there was an even bigger mass of the flesh eaters right nearby. I'm actually really hoping that the group eventually ends up running into this mega horde. The visual of that many walkers all at one time was a jaw-dropper.

In other news, Marilyn Manson made a profound fool of himself on Talking Dead by being an incoherent, mysognistic jag-off. His apparent love of hearing himself talk didn't help things much either. The moral of the story? Don't do drugs kids... Also, if you're going through an intense emo/goth phase, for the love of God grow out of it.

Andrew Allen is a television (and occasionally film) writer for Action A Go Go. He is an aspiring screenwriter and director who is currently studying at the University of Miami. You can check him out on Tumblr @andrewballen and follow him on Twitter @A_B_Allen.






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Posted in AMC, Andrew Lincoln, danai Gurira, Halloween, horror, Norman reedus, The walking dead, Zombies | No comments

Monday, 21 October 2013

THE WALKING DEAD 4x02 "Infected" Review

Posted on 17:56 by gllapsi

The thing about true horror is that it's horrifying. While that may seem like a given, I think the current landscape of horror in film sort of suggests something different. "Horror" generally suggests something frightening, or creepy, or just plain disgusting. There's nothing wrong with these movies, supernatural horror flicks (such as Paranormal Activity, The Exorcist, Insidious and The Conjuring) happen to be my favorite genre in film. But rarely are these movies truly, bluntly horrifying. With this week's Walking Dead, titled Infected, we see a decided return to the horror element that the series moved away from past season, and not just the scares, but some really, truly awful stuff that doesn't sit well on the human mind.

Death and violence hang over this episode like a depressing plague. Further hammering home the idea that civilized living is long, long gone in this new world order. You either become a callous, efficient killing machine, or you become food. But how does that weigh on the human soul? How much of your humanity are you willing to sacrifice to stay alive? In a particularly powerful scene in Infected, Rick has to make the hard decision to sacrifice the piglets he's raised in order to protect the structural integrity of the prison's defenses. As he cuts through the hips of the piglets in order to maim them and leave them as zombie food, it's clear that hope is dying in Rick. As the blood of one of the baby pigs sprays across his face, as if to mark him with the guilt he feels, the message is resoundingly clear: this is life now. This is reality. There is no escape from performing horrible deeds in a world that's trying to kill you day in and day out. And a world like that will turn you into something you would never have thought possible: inhuman. Echoes of last season's Clear pop back up again in this episode. Rick, Carl and Michonne's flippant disregard for human life, which that episode so perfectly portrayed, looms like a terrifying cloud threatening to storm back into the lives of these characters yet again.
That is where the most potent horror in The Walking Dead comes from. And while the cold open with Karen in the showers was plenty frightening, it's the thematic horror that pervades the rest of this episode that has the most potency. As scary as zombies may be, the fact that little girls in this world are expected, nay, required to desecrate their father's corpse in order to keep on living is far more terrifying. The look of profound grief on Michonne's face while she holds Judith speaks volumes about the suffering of the human spirit in conditions it was never meant to hold up under. 

Infected is Scott Gimple's message to the viewers: this is not the same Walking Dead you've seen before. This show is not overly concerned with being thrilling or shocking, a fact which may yet rustle a few feathers. But this show is honest about the terrible human suffering you see onscreen. The lives these characters live are not about exciting adventures, though those may happen from time to time. Grief and pain are the two most recurring themes in their lives, and it doesn't look like that's about to change. Will viewers still want to tune in to see this newer, grimmer Walking Dead? Perhaps. There's enough universally relatable truth in this show that can speak to plenty of people, and I hope it does. In this new, improved variant of the show, the cast's true power-players really get to shine: Danai Gurira, Andrew Lincoln, Melissa McBride, Scott Wilson and Chad Coleman all deliver wonderful, nuanced performances that reflect the grimness of their story with startling power.
If there's one thing that this season will need sometime soon, it's hope. All this darkness can only serve a purpose if it's offset by some kind of hope for the future. And not some vague, empty promise of safety, like we've experienced so many times on this show before. But something concrete, a real goal which these weary survivors can set their sights on and run to. This zombie apocalypse is trying to kill what little remains of these character's humanity, and they need to be given a reason to fight back. This show isn't about trying to survive anymore, there's already fences and guns for that. This show is about trying to live. Which, if you ask me, is a far more compelling struggle for these characters to endure, and may yet result in a show that is consistently excellent. And as much as a praise the crushing onslaught of nihilism this new season is bringing, I really pray it all pays off with something hopeful. Maybe not soon, but at the end. I want all this horror to mean something.

Grade: A-

Other Thoughts

Anybody else find it weird they took this long to use "Infected" as an episode title? Seems obvious to the point of being silly this late in the game.

Some sick person on Tumblr suggested it should've been title "This Little Piggy...", which, if I'm being honest, would've been a perfect title. 

I firmly believe that this new girl, Lizzie, is a budding psychopath. Carol giving her the knife was possibly the most ominous thing in this entire episode.

What did you all think of Infected? Let me know in the comments if you feel so inclined. Or hit me up on Twitter @A_B_Allen

Andrew Allen is a television (and occasionally film) writer for Action A Go Go. He is an aspiring screenwriter and director who is currently studying at the University of Miami. You can check him out on Tumblr @andrewballen and follow him on Twitter @A_B_Allen.


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Posted in AMC, horror, infected, Norman reedus, Scott Gimple, The walking dead, Zombies | No comments

Monday, 14 October 2013

THE WALKING DEAD 4X1 "30 Days Without An Accident" Review

Posted on 15:27 by gllapsi
 
Scott M. Gimple has taken the reigns, and though it's too early to tell, 30 Days Without An Accident is certainly a promising start to a new chapter in the Walking Dead saga.

Everything is going pretty well at the prison. The group has been making a life for themselves in relative peace and growing numbers (the most prominent of the new cast members is Larry Gilliard Jr. playing Bob Stookey, a former army medic and recovering alcoholic), all while suffering very few casualties. Rick has stepped down from his role of leadership, with a council consisting of Glenn, Sasha, Daryl, Carol and Hershel stepping up to take his place. Things are the most stable they've been since the show began, which would be cause for relief on any other show. But this is The Walking Dead, where things tend to go very, very poorly at the slightest sign of an upward trend. And considering how together things are in this premiere, I can only assume an unparalleled catastrophe is on the verge of being unleashed.

In a lot of ways, 30 Days is a callback to Gimple's previous work in the season three episode Clear. Many of the same themes involving loss of humanity and moral deterioration make a strong return in this episode. Much like in Clear, Rick comes across a lone traveller struggling to survive out in the wilderness, but unlike in the aforementioned episode, he decides to help this person (a seriously emaciated and filthy Irish woman) instead of abandoning them, with predictably unfortunate results. Rick turned over a new leaf in the months that have passed since the season three finale, and the cold, brutal actions of his son seem to have inspired him to try and embrace the humanity he had lost overtime. But, as always, the struggle to do good and the struggle to survive come into conflict with each other, and this post-apocalyptic world doesn't deal too kindly to the Good Samaritans. In this place, the selfish survive and the good get punished for their naïveté. Will Rick revert? Will he fall apart? Will his efforts get him or somebody else killed? The possible outcomes of this new arc are numerous, and none of them seem to suggest a particularly bright future. That being said, it's an interesting but very relevant struggle that the show has had a hard time handling with grace in the past two seasons, but 30 Days sees a welcome return to form in this particular thematic arena.

Though primarily concerned with setting story lines in place for the upcoming season, 30 Days isn't devoid of action. A particularly clever set piece in a supermarket in the episode's latter half is easily one of the most impressive sequences The Walking Dead has ever staged. With zombies literally raining from the ceiling, director and make-up effects guru Greg Nicotero is deep in his element during this set piece. It's delivers on being both wonderfully thrilling and suitably disgusting, particularly when Beth's new boyfriend, Zach, becomes zombie food. It's a prime example of The Walking Dead doing precisely what it does best: kill people in surprising, elaborate and gratuitous ways. And though this element can often cut both ways (last season's criminal misuse of the prison gang is a frustrating example of Walking Dead's trigger-finger gone wrong), most of the kills in this episode effectively serve a larger purpose. Whether that be a way to strengthen another character (Beth with Supermarket Meat and Rick with Crazy Scary Irishwoman) or as a means to introduce a new storyline (the episode ends with a younger newbie named Patrick dying of some kind of disease in the showers before turning into a Walker), it never felt like the writers just killed somebody because "why not?". Zach's demise also serves as another depressing parallel to Rick's storyline in that Bob's morally good decision to not feed his alcohol addiction is the inciting incident that leads to death raining down onto the unfortunate kid's head.

30 Days Without An Accident delivers on much needed growth for the series. Rather than setting up narrow-sighted and restrictive plot lines, it re-opened the world that I've been wanting to see more of since the very first season. For the first time in quite a while, it felt like things were actually going on in the world around the core group of survivors, instead of just focusing on the drama occurring in their own little bubble. Eliminating that unfortunate tunnel-vision habit is an encouraging first step into this new season, and the writers have given themselves a very wide array of tools, in terms of characters and stories, to work with for the upcoming sixteen episodes. 30 Days has just the right amount of plot and just the right amount of torque to be both engaging and entertaining. The trick going into this season will be maintaining that balance on a seasonal scale as well as an episodic one. If this premiere is any indication, we're gonna be in for a long, grim ride. And more grimness might just be what this show about an Apocalypse of flesh-eating corpses needs a little more of.

Grade: B+

Other thoughts:

Four black leads all at the same time? Am I dreaming? Way to go, AMC. I'm proud of you (although I doubt all of them will last very long).

Fun Fact: The actor who played Patrick is the voice of Phineas in Phineas and Ferb. 

I found new, depressing Beth to be quite refreshing. Somehow her embrace of the horrors has made her more.... likable? Interesting? Both? Probably both.


Andrew Allen is a television (and occasionally film) writer for Action A Go Go. He is an aspiring screenwriter and director who is currently studying at the University of Miami. You can check him out on Tumblr @andrewballen and follow him on Twitter @A_B_Allen.


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Posted in 30 days without an accident, AMC, Andrew Lincoln, horror, Lauren Cohan, Norman reedus, The walking dead, Zombies | No comments

Saturday, 12 October 2013

A Little "Walking Dead" History and Review

Posted on 14:26 by gllapsi
With the cultural phenomenon and ratings behemoth The Walking Dead making its return tomorrow evening, we at Action A Go Go figured we all might need a little history lesson before the season premiere. So if you're a WD newbie, this here is your chance to get a little background on the show before tomorrow night! 

I like to think of the history of The Walking dead as three different "eras", starting with:

The Darabont Era (2010)

The Walking Dead kicked off its run back in 2010 to much fanfare and massive critical acclaim. Hollywood veteran Frank Darabont served as show runner on the the first season, which was dark, grim and serious. In ways very reminiscent of Darabont's previous works, Walking Dead was more about the deterioration of the human psyche as a result of the hellish zombie Apocalypse than the flesh-eating monsters themselves. Ironically, however, the zombies featured more heavily in this first season than in the seasons that followed. Unfortunately, for all the excellence that Darabont brought to the table, he was booted from the show before production on the second season over budget concerns (his vision for the show was simply far too expensive for the executives at AMC to consider). Under Darabont's supervision, The Walking Dead had the potential to rival some of television's best shows as far as writing quality goes and the show has had a hard time recovering after his firing. It has had stellar moments, for sure, but it's very, very rarely managed to equal the first season's excellence.

Season One Grade: A-

The Mezzara Era (2011 - 2013)

For season two, Glen Mazzara, a writer on the first season, stepped up into the role as show runner. And while the first episode or two worked solidly, the rest of the season (the first half in particular) suffered from a distinct lack of direction and a struggle to balance Darabont's grim tone and Mazarra's more pulpy sensibilities. The zombie threat was also largely neutered in this season, as the walkers very rarely made an appearance, and when they did, never managed to achieve much of anything. While the final few episodes improved significantly, with the finale abandoning the farm setting and essentially rebooting the show's tone and direction, the second season is universally considered the weakest of the series. 

Season Two Grade: B-

Season three showed massive improvement by fixing the previous season's biggest problem: it was cripplingly boring. Right off the bat, season three jumps right into a high-velocity, high tension narrative where anybody could go at anytime. Within the first quarter of the season, two of the show's long-term leads were offed in one of the series' best episodes that was both shocking and entertaining in a new way. It still lacked the pointed gravitas of the first season, but it was rip-roaring entertainment and kept the viewers on edge from week to week. Unfortunately, after a stellar first half, the season sort of fell apart during its final eight episodes. Most of the plot lines that had been built up so excellently in the first half were either dropped or reached disappointing conclusions. Although mostly an anticlimax, the second half of season three still managed to deliver a stand alone episode that I consider to be the series best episode: "Clear" (an episode that I'll expound on in a little bit).

Season Three Grade: B+

The problem with Glen Mazzara's show-running, is that he lacked the foresight to create a really cohesive and satisfying season of television. He managed some really shocking moments of excellence here and there, but they never amounted to much of anything. I can't think of a single running plot line during seasons two or three that really lived up to their potential, despite often excellent beginnings. The result was television that was highly entertaining, but very messy, and very imbalanced. Due to the floundering latter half of the third season, as well as conflicts with executive producer (and writer of the original comic books) Robert Kirkman, Mazzara received the boot after season three and has been replaced for the upcoming season by series writer Scott M. Gimple.

The Gimple Era (present)


Although this is all speculation, I have high hopes for Scott Gimple's takeover as the series' showrunner. He has written some of the show's best hours; "Clear" and "Pretty Much Dead Already". These episodes in particular are the ones most consistently reminiscent of the series' first season. They are powerful, focused and interesting episodes that manage to recapture that same sense of sprawling, despairing grimness that made the first season so powerful. So I'm hoping that Mr. Gimple can really bring those elements back into play. Due to the loss of it's original visionary, The Walking Dead can never be the complete and fulfilling narrative (a la "Breaking Bad" or "Game of Thrones") that season one so perfectly set the stage for, but at the very least it can make a return to some of those themes and deliver some high-quality television. Who knows? Maybe Scott Gimple can take the excellent cast and crew he's been given and make something new out of it and surprise us all. The Walking Dead has all the pieces to be an entertaining show, why not a legitimately great one (even if it's not the same great one we initially thought it was going to be)?

Top Five Episodes:

5. "Guts", S1Ep2: Essentially a "part two" to the pilot episode, "Guts" is intense, exciting and, best of all, completely disgusting. It's in this episode that we get our first introduction to the series' ensemble who all manage to make a strong impression even in the middle of being attacked by a massive zombie horde in downtown Atlanta. It is one of the only two episodes written personally by Darabont and his masterful writing still makes this one a series stand-out.

4. "Beside the Dying Fire", S2Ep13: to cap of the lackluster second season, the writing staff basically threw up their hands saying "screw it!" and somehow churned out one of the most exciting episodes of the series, and probably the most action-packed episode to date. The zombies who had been so absent during most of the season make a big reappearance, decimating the farmland and offing a few side characters. It's messy, it's intense and it's actually pretty awesome, ending the season with the bang that it should've had from the get-go.

3. "Killer Within", S3Ep4: After a few solid episodes to open the season with, it seemed like things were settling back into the monotonous rut of season two. Things were going decently; no pesky zombies around, no real interpersonal drama to speak of. And then, almost as if to say "you think we're gonna make that same mistake twice?! Here's our collective middle finger", the writers surprised everybody by suddenly, and gruesomely offing two of the leads in the most stressful ways possible. "Killer Within" firmly reestablishes that in "The Walking Dead" nobody is safe from being horribly torn to shreds. It's a jaw-dropping hour of television (particularly surprising given how early in the season it was), and one that had people talking for quite sometime, deservedly so.

2. "Pilot", S1Ep1: "The Walking Dead" made a triumphant first impression with one of the greatest pilot episodes in recent memory (probably in television history). This first episode, written by Frank Darabont, is everything this show ever needed to be; it's scary, it's gross, it's intense and it's beautiful. It's one of the first television episodes to rightly earn the description of "cinematic", and while it's a shame that the series has rarely stacked up to this level of quality, this first episode is and will always be an achievement that The Walking Dead can wear proudly on it's chest.

1. "Clear", S3Ep12: This is the episode that gave me faith in Scott M. Gimple's ability to craft an engaging and powerful story in a limited period of time. It has focus and carries itself with purpose, serving as a spiritual sequel of sorts to the very first episode of the show. Coming totally out of left field, it's rare that a series one-off is this good. But "Clear" was a phenomenal surprise amidst a few lackluster episodes, and it's a fantastic reminder of the potential this show really has. If the fourth season can stylistically and thematically keep in tone with this episode, then The Walking Dead may yet see a return to excellence.

Honorable Mention. "Vatos", S1Ep4: In this episode we get to see the zombies deal some mass carnage for the very first time, and it does not disappoint. Equal parts scary and moving, "Vatos" let's the audience know just how lethal these things are and how much damage they can really do on a massive scale.


Andrew Allen is a television (and occasionally film) writer for Action A Go Go. He is an aspiring screenwriter and director who is currently studying at the University of Miami. You can check out him on Tumblr @andrewballen and follow him on Twitter @A_B_Allen.

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Posted in AMC, Andrew Lincoln, frank Darabont, Halloween, horror, Lauren Cohan, Norman reedus, Robert Kirkman, The walking dead, Zombies | No comments

Tuesday, 2 July 2013

"The Walking Dead: Season 4": first official poster

Posted on 05:55 by gllapsi

The first new poster for the upcoming fourth season of The Walking Dead was unveiled at Comic-Con this week and it's pretty epic. This year it would seem that AMC is banking hard on fan favorite characters, including newcomer Tyreese who is officially a series regular in the upcoming season. 

The Walking Dead returns this October with a new show runner. It'll be interesting to see how the show grows with someone new calling the shots.
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Posted in comic-con, Norman reedus, The walking dead, Zombies | No comments
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  • X-Men: First Class
  • X2: X-Men United
  • You Only Live Twice
  • YU NAN
  • Zachary Quinto
  • ZACK SNYDER
  • Zeiram
  • Zero Dark Thirty
  • Zhang Ziyi
  • Zod
  • Zoe Saldana
  • Zombies

Blog Archive

  • ▼  2013 (330)
    • ▼  November (27)
      • What are you doing here? Get over to the new and i...
      • REVIEW: "The Hunger Games: Catching Fire"
      • Boardwalk Empire 4x12: Farewell Daddy Blues (Seaso...
      • Disc Two: B-Roll from HUNGER GAMES CATCHING FIRE
      • Trailer Park: ALL CHEERLEADERS DIE!
      • Tunesday: Akira The Don Gives Us THE STREET FIGHTE...
      • Boardwalk Empire 4x11: Havre de Grace (review)
      • Disc Two: B-Roll From THOR: THE DARK WORLD
      • JCVD riding two Volvo trucks while doing the split...
      • ACTION A GO GO Vixen Thursday: Let's all take a mo...
      • Trailer Park: THE RAID 2, SNOWPIERCER, and POLICE ...
      • AAGG Animated Movie Review: Superman: Doomsday
      • Honest Trailers: MAN OF STEEL Gets The Trailer it ...
      • Tunesday: Bryan Tyler's THOR: THE DARK WORLD (Comp...
      • Boardwalk Empire 4x10: White Horse Pike (review)
      • LEAKED: 5 Minutes of CAPTAIN AMERICA: THE WINTER S...
      • Movie Review: "Thor: The Dark World"
      • Disc Two: BAD GRANDPA's Johnny Knoxville Explains ...
      • The ACTION A GO GO Vixen Of The Week is Thor The D...
      • Trailer Park: Honest Trailer for 2011's THOR
      • Marvel Signs A Multi-Show Deal with Netflix
      • Sorry for the inconvenience but ACTION A GO GO is ...
      • Tunesday: Janelle Monae Gets My Vote for James Bon...
      • Boardwalk Empire 4x09: Marriage and Hunting (Review)
      • THE WALKING DEAD 4x04 "Indifference" Review
      • Shiny Sci-Fi Saturday Night
      • Disc Two: THE RISE AND FALL OF THE SLASHER FILM (D...
    • ►  October (86)
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    • ►  July (65)
    • ►  June (22)
    • ►  May (13)
    • ►  April (4)
    • ►  March (3)
    • ►  February (5)
    • ►  January (6)
  • ►  2012 (26)
    • ►  December (3)
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    • ►  August (6)
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  • ►  2011 (13)
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  • ►  2010 (2)
    • ►  December (2)
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